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Nighthawks - Edward Hopper biography.

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Edward Hopper Biography

Hopper, Edward (1882-1967). American painter, active mainly in New York. He trained under Robert Henri, 1900-06, and between 1906 and 1910 made three trips to Europe, though these had little influence on his style. Hopper exhibited at the Armoury Show in 1913, but from then until 1923 he abandoned painting, earning his living by commercial illustration. Thereafter, however, he gained widespread recognition as a central exponent of American Scene painting, expressing the loneliness, vacuity, and stagnation of town life. Yet Hopper remained always an individualist: `I don't think I ever tried to paint the American scene; I'm trying to paint myself. Paintings such as Nighthawks (Art Institute of Chicago, 1942) convey a mood of loneliness and desolation by their emptiness or by the presence of anonymous, non-communicating figures. But of this picture Hopper said: `I didn't see it as particularly lonely... Unconsciously, probably, I was painting the loneliness of a large city.' Deliberately so or not, in his still, reserved, and blandly handled paintings Hopper often exerts a powerful psychological impact -- distantly akin to that made by the Metaphysical painter de Chirico; but while de Chirico's effect was obtained by making the unreal seem real, Hopper's was rooted in the presentation of the familiar and concrete. Edward Hopper painted American landscapes and cityscapes with a disturbing truth, expressing the world around him as a chilling, alienating, and often vacuous place. Everybody in a Hopper picture appears terribly alone. Hopper soon gained a widespread reputation as the artist who gave visual form to the loneliness and boredom of life in the big city. This was something new in art, perhaps an expression of the sense of human hopelessness that characterized the Great Depression of the 1930s. Edward Hopper has something of the lonely gravity peculiar to Thomas Eakins, a courageous fidelity to life as he feels it to be. He also shares Winslow Homer's power to recall the feel of things. For Hopper, this feel is insistently low-key and ruminative. He shows the modern world unflinchingly; even its gaieties are gently mournful, echoing the disillusionment that swept across the country after the start of the Great Depression in 1929.

 

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Edward Hopper Paintings

Nighthawks Hopper 36 in. x 24 in. Buy this Art Print Framed   Mounted	Nighthawks Hopper, Edward 28 in. x 22 in. Buy this Art Print Framed   Mounted	Nighthawks Hopper, Edward 17 in. x 12 in. Buy this Art Print Framed   Mounted
Lighthouse at Two Lights Hopper, Edward 25 in. x 18 in. Buy this Art Print Framed   Mounted	New York Movie Hopper 32 in. x 30.25 in. Buy this Art Print Framed   Mounted	Early Sunday Morning, 1930 Hopper, Edward 36 in. x 27 in. Buy this Art Print Framed   Mounted
Rooms By the Sea, 1951 Hopper, Edward 31 in. x 25 in. Buy this Art Print Framed   Mounted	Gas Hopper, Edward 31.5 in. x 23.5 in. Buy this Art Print Framed   Mounted	Chop Suey Hopper, Edward 32 in. x 24 in. Buy this Art Print Framed   Mounted
Long Leg Hopper, Edward 38 in. x 25 in. Buy this Art Print Framed   Mounted	The Lee Shore Hopper, Edward 28 in. x 22 in. Buy this Art Print Framed   Mounted	Route 6 Hopper, Edward 32 in. x 24 in. Buy this Art Print Framed   Mounted

 

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